Monday, 22 December 2008

Oliver





I've held off making this post for longer than I should, simply because I don't know what to say that others haven't said better. Charlie Brooker delivered two superb eulogies - one in his Guardian column, one on this week's Screenwipe. I can't possibly reach the levels of eloquence he managed, so I'll bumble on as best I can. Warning - this post will reach unacceptable levels of heartfelt emotion. So what? Cynicism is overrated, sometimes.

Oliver Postgate died recently. And with his passing, a door to my childhood, my personal safe-place, a world where I felt protected.... died with him.

Come back with me to 1999. I'm a mewling ball of panic, as the world seems to be crashing down around my ears. There's nothing in the tank, my nerves are shot, and I don't seem to be able to focus on anything. I'm going under. A bad time, one I'm glad to have left behind. Right in the middle of what I now realise to be the onset of my first bout of an illness that never altogether goes away, I flick through the channels on cable and Nickelodeon's showing an episode of Bagpuss. The music starts, Oliver speaks. And suddenly all the panic, worry and insecurity leeches away. For fifteen minutes, I'm Five years old again, cosetted, comfortable, hypnotised. The world just seems right for a quarter of an hour.

Switch forward. There's one of those bloody interminable countdown shows on. Oliver gives as good as he gets to Jill Pythian and her psycho-sexual theories of children's viewing. I forget exactly what he says in his gentle, professorial manner, but it comes down to this - sometimes, a knitted pink mouse is just a knitted pink mouse, Jill. Sometimes, that's all you need. I'm actually off the sofa, cheering.

Switch, to better times. I'm having a rip-roaring night in with a close friend. Said friend leaves the room, and I'm ripping through the channels again, killing time. There's an episode of The Clangers on this time, and even though I'm massively drunk, once again I'm captivated. The whistling permeates through to the other room.

"Walter, are you watching The Clangers, in there????" comes an accusing voice.

"No! I'm.... just whistling. Don't come in!" I shout back, and we fall about, laughing hysterically.

Switch back, and I'm ploughing through the complete Clangers dvd. Admiring the artistry, submerging myself in another lovingly created world. And I realise how gut bustingly funny some of it is. The one in which an Earth Astronaut comes visiting and is driven away by hospitality must rank as one of the funniest ten minutes anyone's ever created.

Switch again, and there's a documentary on Smallfilms on the box. Peter Firmin and Oliver are rootling through a box of old props, and they discover the Soup Dragon, lovingly packed away. Missing a scale or two, but looking a lot better than you or I would after thirty years in a cardboard box. "Ah, there she is", says Oliver, his voice crowded with affection. My world becomes just a little bit nicer.

Switch to a freezing cold evening, buried in "Seeing Things". A stunning autobiography. Heartfelt, with a lightning change in tone at around the midpoint that I didn't see coming. I feel I know this man now, but instead of coming away from it disliking him as happens so often when you know the intimate details of a persons life, I realise that here is a decent, unswerving, downright nice human being, someone you'd want to know, to have in your life. Sadly, that's not going to happen now. Although in a way, he's still in my life. He always will be, as one of the prime shapers of my childhood. He may not have fully appreciated just how deeply affecting his work was to millions of us. I certainly didn't at the time. But just for a short time each week when I was growing up, a wise old voice told wise old tales, with charm, wit and the utmost love and craft.

When the news broke that he'd gone, my first thought was a deep, palpable sadness. As if I'd actually lost one of my close family. That's how much the work that he and Peter did - all those years ago, in that scraggy old barn out in the country - meant to me. He'd been ill for a while, but he's at peace now. Which is only just recompense for the deep peace he was capable of engendering in millions.

For Bagpuss, for the Mice, for Professor Yaffle... for Gabriel, for Madeleine, for the Clangers, for the Soup Dragon, for the Iron Chicken... for Ivor, Dai Station, Jones the Steam, for Idris the Firebox Dragon... for The Pogles, for Noggin, for Nogbad... for a life of meticulous craft, loving care, and for an existence immeasurably enriched just by your being in it, thank you, Oliver.

We miss you. And we love you. Goodnight.

Saturday, 1 November 2008

My Favourite Photograph


I've been meaning to scan this for months. Never fails to make me grin.

Friday, 31 October 2008

The Cuckoo Waltz begins a new season of none-too-funny domestic comedy

Well. For the last few months, I've been beavering away at a project - a magnificent folly, even - that has pretty much consumed me. Since I discovered the online archive of the Times newspaper, I've been trying to produce the definitive compilation of television and radio listings for the UK. It's something that absolutely fascinates me. There's no better way to chart the history of broadcasting than by leafing through pages of listings for any given year, seeing what was on a particular channel - what the other channels put on in opposition, what the reviewers said about the previous nights fare - and indeed, the stuff they chose to highlight in the preview columns.

I thought I'd have a go, see how far I got before boredom set in.

Boredom comprehensively failed to set in. A nagging feeling of hopelessness set in, but boredom didn't. So - may the lord have mercy on my soul - I present the fruits of my labours. A 99 percent complete set of television and radio listings for the UK as published by The Times, for the years 1955 - 1985. The archive ends at 1985, and it makes a useful cutoff point. If anyone from The Times is reading this and doesn't want these up here, please let me know and I'll remove them immediately. I hope you don't though, because I'm about to try and steer some business your way. Go and look at the Times Archive -

http://archive.times.co.uk .

It's a fascinating resource. Hundreds of years of history as it happened. One of the best resources on the Web.

None of this would have been possible without my partner in obsessiveness - I received an email from a colleague when I first expressed my interest in doing this, and he's worked like a trouper alongside me and used his substantial technical know-how to not only compile an equal amount of listings, but also tidying up and formatting pages, and generally making them presentable. Thanks, Ian.

Anyroad, the listings - the reason that these are only 99 percent complete is that the Times was hit harder than most by industrial action over the years. It started in the early fifties, continued on and off over the next two and a half decades and eventually caused the complete shutdown of the paper for nearly a year over 1978 and 1979. We couldn't fill in these pages, but everything else should be there.

Go and dig in if you feel so inclined. There's almost 5 and a half gigs worth of data here. And I'm not finished yet. I've got every intention of marching back to the first night of broadcasting on the BBC. I've already got 1939 to 1954 compiled and complete. If anyone expresses interest, I'll be glad to share those as well.

1955 - http://www.sendspace.com/file/26rasi
1956 - http://www.sendspace.com/file/29g49g
1957 - http://www.sendspace.com/file/03bbig
1958 - http://www.sendspace.com/file/g1gggx
1959 - http://www.sendspace.com/file/yquu7t
1960 - http://www.sendspace.com/file/wwk3qb
1961 - http://www.sendspace.com/file/4c4hmp
1962 - http://www.sendspace.com/file/8ouu2p
1963 - http://www.sendspace.com/file/dy3u8i
1964 - http://www.sendspace.com/file/hc2704
1965 - http://www.sendspace.com/file/g5tvw7
1966 - http://www.sendspace.com/file/fhf5v7
1967 - http://www.sendspace.com/file/r62fu4
1968 - http://www.sendspace.com/file/2t0xbs
1969 - http://www.sendspace.com/file/0mk03r
1970 - http://www.sendspace.com/file/x6pzv6
1971 - http://www.sendspace.com/file/35cmd5
1972 - http://www.sendspace.com/file/0r6k9a
1973 - http://www.sendspace.com/file/rvhr9q
1974 - http://www.sendspace.com/file/ql5p87
1975 - http://www.sendspace.com/file/48tkkt
1976 - http://www.sendspace.com/file/busboo
1977 - http://www.sendspace.com/file/b1k83q
1978 - http://www.sendspace.com/file/48lk4n
1979 - http://www.sendspace.com/file/iyhgeq
1980 1of2 - http://www.sendspace.com/file/0hjvvy
1980 2of2 - http://www.sendspace.com/file/llzne8
1981 1of2 - http://www.sendspace.com/file/e5vzd0
1981 2of2 - http://www.sendspace.com/file/ics0jb
1982 1of2 - http://www.sendspace.com/file/dj77i1
1982 2of2 - http://www.sendspace.com/file/l3u1si
1983 1of2 - http://www.sendspace.com/file/ci9f0m
1983 2of2 - http://www.sendspace.com/file/o2h50q
1984 1of2 - http://www.sendspace.com/file/infmnn
1984 2of2 - http://www.sendspace.com/file/yw1wh8
1985 1of2 - http://www.sendspace.com/file/a9fhw6
1985 2of2 - http://www.sendspace.com/file/sn28y2

Saturday, 25 October 2008

The inaugural mumblings of whispering Difbrook

Well folks, here it is. The first ever Catholic Taste podcast. And it's a bit of a shambles, frankly. My intro and outro links are recorded at painfully low volume, the first track comes in far too quickly and I managed to add an track that isn't actually there into my playlist details at the end.

Sorry about that. If you can stand all that (and do remember to turn the volume down before the first track begins), I do hope you'll enjoy it. I'm quite proud of the choice of music - seems to flow pretty well together and hopefully you'll find a few things in there that you may not have heard before.

Have fun. And be gentle with me. I'm still learning. Not that that's an adequate excuse.

http://www.sendspace.com/file/80x6um

Saturday, 18 October 2008

Blimey, Walt's alive!

Nice to know he's around. It's been quiet without him.

And now, without further ado, it's time for me to post another embedded YouTube video. Becuase that's how I roll.

Here I present proof that, if nothing else, the potential next President of the United States is an incredibly funny man:

Friday, 17 October 2008

I hope he's been behaving himself

Aye, aye.

I note that Dave's been busy while I've been away. Good lad. Lots of good stuff. I've been feeling somewhat poorly of late and that's kept me out of circulation (or at least, away from the keyboard). Pleased to see he's been Keeping The British End Up while I've been AWOL.

As a matter of complete disinterest, I found myself sitting a few days ago nursing a cup of coffee and feeling sorry for myself, watching episodes of Crown Court. And I realised that was exactly how I spent my days off when I was off sick from school, many more years ago than I care to mention. The more things change...

Anyroad, all thanks to Chairman Dave for looking after things.

Sunday, 5 October 2008

Maybe they have him confused with Jan Putrid

News today that the last survivor of the sinking of HMS Hood has passed away made me stop by the website of the HMS Hood Association.

And they have a rather handy list of all the crew who served on board Hood.

So that made me curious to see this entry, which I looked up:

Linky

That's Jon Pertwee. Of Doctor Who fame. Honestly, how many Jon Pertwees are there in the world? How many Jon Pertwees, who wrote in their autobiography that they left the Hood for officer training shortly before it sank, do you think there are in the world?

Honestly guys, do a bit of research. Try Google. I'm sure you might even find a photo or two...

Thursday, 25 September 2008

For this, I'll might even forgive him for "I just called to say I love you"

I can't claim credit for finding this. I got hold of this via another blog, which got it via yet another blog.

It's Stevie Wonder. Playing "Superstition". On Sesame Street. And it's even better than the version you're familiar with. Enjoy. Because it might just be the coolest thing I've ever seen in my life.

(Belated) RIP time again

Rather belatedly, we bring you news of the death of Paul Cole, Florida resident, and "man who appeared in the background of the Abbey Road album cover".

A sad loss to the world. We'll never see his "beatnik-disliking" type again...

http://www.tcpalm.com/news/2008/feb/15/30gtpaul-cole-man-on-beatles-abbey-road-cover/

Monday, 22 September 2008

Curse you Charles Goodyear, inventor of vulcanised rubber!

Been catching some episodes of Wipeout, a US series in the same kind of style of It's a Knockout and Takeshi's Castle. Here's the first five minutes or so of the first episode.



A UK version is apparently on the way, with Richard Hammond hosting. That might work, as I think he can carry off the sarcastic commentary which I think makes this series so addictive.

Note to the BBC though: don't muck around with the style. We don't need any celebrities taking part, we don't want any backstories for any of the contestants, and we don't need any faffing about. Just loads of ordinary members of the public falling off obstacles into mud and Hammond taking the piss out of them.

So yeah, it's slightly idiotic. But it's still incredibly funny.

Saturday, 13 September 2008

The Rage

Following on from my posting of some "home-made" comedy with Radioface, I thought I should give a plug for "The Rage".

This is a short film, set between 28 Days Later and 28 Weeks Later, which was directed by my one showbiz friend Carter Ferguson. Or as he's sometimes known "That bloke who played the policeman on River City." He's also well known in the industry as one of the best fight arrangers there is.

I don't know all the ins and outs of this, but I believe it was filmed on a budget of next to nothing, with lots of favours called in.

Part One:

Part Two:

Part Three:

The genius of Jim Henson #3

For most people in Britain, Sesame Street is that programme with Big Bird and that animation with the marble travelling along a path while counting to twelve.

It also featured some great Muppet stuff, and here's a clip. This is apparently from a PBS pledge drive, hence the All-Star cast.

Some wonderfully weird cameos in there. John Candy! Danny De Vito! Pee-Wee Herman! Gordon Jackson and Jean Marsh off of Upstairs Downstairs! Ladysmith Black Mambazo! Err...some baseball players! A woman with an outlandish hat!

Sunday, 7 September 2008

That's an egg

One of the more obvious, lazy responses given to anyone who criticizes comedy is "Oh yeah, could you do any better?"

Obviously, most of the time the answer must be "no", but several members of cookd and bombd decided to go out and do better.

And blow me down, if this isn't actually quite funny. Yeah, the production values are less than great, but it's the imagination and intelligence involved that you need to look at. This is considerably more intelligent than the general rubbish you see on TV nowadays.

So, here for you delectation is Radioface, episode one - "Fitting In". Now, someone give these people a job.

Part One:


Part Two:


Part Three:

Friday, 29 August 2008

Aw, no. Just stop it. Stop it, will you?



"Tell you what, there's a quiz show about wallpaper going begging. How soon can we expect you?"
"Erm...phooooof. When do Hedgehogs stop hibernating?"
"Hang on... Maureen, when do Hedgehogs stop hibernating? No, that's bats... Uh-huh? Really? Sometime in Spring, we think. Probably."

Oh, for christ's sake.

Geoffrey Perkins, quiet and unassuming. The great facilitator. The man who simply by doing his job, gently, with care and infinite wisdom, caused many of us to laugh longer and harder than we probably deserve...no longer with us. And in such a stupid, pointless way. Mown down in an idiotic road accident.

Without Geoffrey Perkins, you wouldn't have had your lives brightened by The Hitch-Hiker's Guide to the Galaxy. No Father Ted. No Harry Enfield. The Fast Show. Radio Active, KYTV, Saturday/Friday Live, Spitting Image... Happiness, Big Train, tons of others, he was in there, shaping them. Making sure they were right.

I never met Geoffrey Perkins, but I'll miss him. Not only for what he gave us (which is surely more than enough for one lifetime) but for what we can't have any more - that is, exciting, innovative, and above all *funny* Comedy shows. You know. The ones you laugh at. Loudly, inordinately and with a total lack of self-consciousness.

Thank you, Mr Perkins. You'll be remembered long after your time. We'll make sure of that.

Wednesday, 27 August 2008

Do we really create false promises?

It was commented by my blogging compatriot that he's been doing most of the actual posting on here.

Well, I've got a couple of things in mind that I'm working on, but in the meantime, here's this.

No idea of the origin of this, but I've now had this "I Wanna Hold Your Hand" knock-off rattling around my head for the past three days. It's now your turn to suffer.

Friday, 22 August 2008

Hurh Hurrh Hurrrh


RIP Time again.

Julius Carry died on Tuesday. And if no other news service is going to carry the story, I bloody well will.

Another genre favourite bites the dust. This has been a horrible year for losing those people you just love to see turn up even in the smallest of roles. As one of those lunatics who actually thought "The Adventures of Brisco County Jr" had a better chance than its stablemate "The X-Files", and as one who has been persistently impressed by Julius's ability as Lord Bowler to steal the show right out from under Bruce Campbell's nose (and believe me, there's very few people who can do that)... this news saddens me terribly. That's him in the pic above, standing just behind Kelly Rutherford at her most winsome, and managing to somehow maintain his composure despite the lovable John Astin grinning like a loon right next to him.

As is my wont, I'm off to watch an episode of Brisco by way of tribute. "Socrates' Sister", I think - featuring the rather marvellous moment in which Bowler attempts to sneak up on the villain of the week by pretending to be a log...

Wednesday, 20 August 2008

Ladies Will Please Remove Their Hats

I'm currently reading Richard Schickel's biography of D.W Griffith.

Griffith's a tricky subject for people nowadays. The first thing he calls to mind is "Birth of a Nation" (well, that's what he used to mean to me). The second thing is the grandiose folly of "Intolerance". After that? You're lucky if he's remembered at all. "Broken Blossoms"? "America"? "Abraham Lincoln"? When was the last time you saw Channel 4 (or anyone) devote an afternoon to one of that little lot?

And this is unfortunate, as the man Chaplin called "The Father Of Us All" had a career that was quite frankly fascinating. He pretty much discovered Mary Pickford whose vaulting ambition led her to become not only the biggest star of her day, but pretty much the biggest star full stop. Lillian Gish got her start with him, as did Mack Sennett. Lionel Barrymore worked for him, as did W.C Fields in the characteristically bizarre "Sally of the Sawdust". Even if he didn't invent cross-cutting, the iris-in, close-ups and long-shots, he was the first to really come to terms with them and turn cinema into something more than a nickel curiosity.

From a shaky on-screen start (you can see him acting - barely - in "Rescued From The Eagles Nest" - he had a solid stage career behind him by the time he grudgingly turned to cinema), he slowly shifted his focus - first as a scenarist, then finally as a director. And he took to it like a duck to water.

In the years 1909 - 1913, he directed some 450 one-reelers for the Biograph company. That's 450. And a large proportion of them survive, astonishingly. Thanks to the joys of region 1 dvd's and YouTube (hint - one-reelers are the perfect length to sneak in under YouTube's 15 minute limit), I've been able to illustrate my reading with a large proportion of Griffith's Biograph works (over a hundred of them, actually).

His social comment films veer from absolutely stunning ("A Corner in Wheat" is angry in all the right places, with shots framed to resemble classical paintings) to extremely odd ("For His Son" features a venal Doctor marketing a new drink with added Cocaine called "Dopakoke" - I kid you not).

"The Painted Lady" features what is still one of the most convincing portrayals of madness I think I've ever seen on screen, "The Musketeers of Pig Alley" develops a familiar motif into what is often referred to as the first Gangster film (it isn't - Griffith himself had dipped into that well before), with scenes shot in genuine New York slums, and "The Redskin's View" shows the White Man to be a greedy, opportunistic mob at the best of times while the Indian is portrayed as noble and long-suffering. Funny how people forget that when they're hammering him for the likes of "His Trust" (and to be fair, the minstrelsy in that is horrid - I've never seen so much badly applied blackface, and the idea that the faithful gentleman of colour will be rewarded for serving the White Man).

"The Female of the Species" is grippingly nasty up until the final two minutes or so (three women lost in the desert lose their grip on civilisation until finally they are saved by their discovery of an Indian baby lying in the arms of his dead mother, and their natural womanhood reasserts itself. Ugh.)

"The House With Closed Shutters" examines a case of Cowardice in the American Civil War (a favourite Griffith preoccuaption - see "The Hessian Renegade", "In The Border States", "His Trust"/"His Trust Fulfilled", and many many others, leading right up to "Birth..."

Most of the time Griffith's heart is in the right place - and more often than not it's also on his sleeve. He's increasingly sentimental, given to floweriness, and at all times, even in his minor works - fascinating.

And then there's this.



from 1909, this three minute insanity was intended as a replacement for the old magic lantern slide. Mission accomplished I think. Put it this way, I never expected this to conclude the way it does...

Watch out also for the way the characters on the film within the film slowly become frustrated by the fact that the audience isn't watching them (and they're all played by the same people - how very wonderful). And also watch out for Mack Sennet and his glorious false nose - can't miss him, he's the one in the very loud suit. The woman dressed in white is Griffith's wife of the time, Linda Arvitson, I think. Also lurking in the cast is the mellifluously named Florence Lawrence, and Flora Finch is the one who suffers a fate worse than death in the final seconds.

Do enjoy. They must have been putting something in the water in 1909.

Tuesday, 19 August 2008

A free thing



One of the things I have a strange obsession for is songs recorded by TV and Radio stars. Some of them really should know better, and some of them are strangely wonderful. Falling into the latter category is this little treasure, which I found in a car booter years ago. It was raining. You can tell by the state of the sleeve.


Ripped in all its pristine, ragged glory from vinyl by yours truly, I give you Ronnie Corbett's foray into the singles charts, the rumbustious "Fanny". Written by Herbie "bassline on Walk on the Wild Side" Flowers (at least, I think it is, to judge by the credits), it hit number not-very-much-at-all with a bullet in 1974. Ronnie performed it on Top of the Pops in November of that year, a clip which I fear is now lost. A shame.
Anyhoo, enjoy.


Back, Back, Back

So, here he is again. After a ridiculously long absence. Sorry about that. I'm sure you've all been on tenterhooks.

Anyway, we're back. Hope you've all been well.

Hopefully things will be updated a bit more often from now on.

Monday, 28 July 2008

Here's a thing...

Did you know that if you’re shopping on Amazon -

- And you leave the search box on the main screen completely empty, select a category and hit go…

….You can browse a complete list of everything in that category they’ve got? You can also see just how many items they’re currently selling (22,759,675 books at the moment)…

I found that out by accident. But rather handy if you’re on the hunt for random inspiration!

Monday, 14 July 2008

Just a thought

Is the man who the UK Government has put in charge of tackling the increase in knife crimes... really called Alfred Hitchcock?

that's just asking for trouble, surely?

Thursday, 10 July 2008

Switched on Bach

“The fact that I think Bach was mistaken [with regards to religion] doesn’t alter the fact that I think the B minor Mass is one of the great pinnacles of human achievement. It still absolutely moves me to tears to hear it. "

Douglas Adams there, about whom doubtless more anon. And having spent the last two days listening to nothing but Bach's Mass in B Minor, I have to agree. One of the most beautiful, moving things I've had the pleasure of hearing in a very long time.

The version that's had me captivated is by John Eliot Gardiner and the English Baroque Soloists on Deutsche Grammophon. Amazon currently have copies going on Marketplace for a tenner, which I'd recommend as it's 25 quid to buy it new. Even at that, though - this one will repay any investment you make.

Go seek. Indeed, have a listen to the samples on the Amazon product page.

http://www.amazon.co.uk/Bach-Mass-in-B-minor/dp/B0000057CN/ref=sr_1_1?ie=UTF8&s=music&qid=1215685161&sr=8-1

You'll thank me.

Wednesday, 9 July 2008

All of a sudden, I feel ignorant


From Amazing Stories, dated May 1934. A truly frightening document. Double click for a full view. Well worth it, believe me - the tone of breathless hysteria and terrifying ignorance makes it well worth a look.
Interesting that as far back as 1934 advertisers had decided that SF fans were in need of education in certain matters... although phrases like "grope in darkness no longer" raise an unintentional smile. Especially after the dark prejudices displayed in column two.




Sunday, 6 July 2008

Bye Bye, Don S. Davis

pic courtesy of www.unificationfrance.com



Sadness mixed with gratitude at Stately Difbrook Towers this evening, as we wave farewell to Don S. Davis - one of my very favourite actors and an utter gentleman to boot. Don died on the 29th of June, felled by a massive heart attack.


If you watched Stargate, or Twin Peaks, or the X-Files, or any number of films and shows, you probably ran into him at least once. He was that sort of an actor. Always busy, always in demand even if fame on the grand scale seemed to elude him.


Television SF fans know what it is to suffer - that horrible feeling when one of your favourite shows seems stuck in a rut, or seems to be heading off up a blind alley (or more usually, up its own backside). SG-1 in particular has been somewhat... punishing... to be a fan of, but you take the rough with the smooth. The smooth was almost always provided by Don, who could lift just about any episode out of the doldrums. I've felt his absence keenly over the last few seasons. I'll feel it a lot more in more or less every American SF show I watch from now on.
I kinda hoped that Russell T. Davies or Stephen Moffat might grab him at some point for a guest shot on Doctor Who. After all, they got Anna Louise Plowman, so why not her SG1 castmate?
Not to be now, alas.

Bye, Don. Thanks for a lifetime of great work.

Thursday, 3 July 2008

We Shall Build A Tower That Will Reach To The Stars!


Over eighty years since it was last seen, it would appear that a virtually complete version of Fritz Lang's Metropolis has been discovered. It was found in (adopts Deborah Watling voice for a moment) Buenos............ Aires!

Apparently pretty much every key scene that was hacked out of the original print (the longest previously extant version was missing more than a quarter of the full running time) has been found again.

My god. I'm utterly delighted.
Full story here...

Wednesday, 2 July 2008

The genius of Jim Henson #2

Here, for your viewing pleasure, is "Simon Smith and his Amazing Dancing Bear".

There are several reason why I love this. First of all, it has Rowlf in the background. Rowlf is one of my all-time favourite Muppets, so anything featuring him is a treat.

Secondly, it's worth watching for Fozzy's reactions. He starts off an unwilling participant, but gradually gets into it until he's dancing like a madman, clearly loving it. I am fully aware that Fozzy is being operated by someone and that he's mostly made from fur and felt, but I swear you can see a look of joy in his face.

Finally, he takes his hat off and swings it on the end of his cane. This is one of the funniest things ever seen, especially his face when it flies off the end of the cane. And THEN his face as his hat miraculously reappears in his hand. First time Walt and I watched this we had to rewind and watch it again. Laughed for several minutes we did.

So here, it is. Enjoy.

"This is a very poor cross-examination"

Who is the greatest TV interviewer of all time?

Actually,let's bring it down a little. Doubtless there are some greats from the USA, Johnny Carson for a start. Held a place at the heart of the American consciousness for generations. Jack Paar, maybe? Out of the current crop, perhaps Keith Olbermann for his self righteous anger, and total fearlessness - or Jon Stewart for his relentless skewering of people too stupid to spot that he’s working in character and there’s actually a piercing brain behind that façade? Unfortunately, I’m not qualified to judge since I haven’t seen enough of them.

So. The greatest British TV interviewer.

Lots of possibles of course. Paxman? He's certainly a great interviewer. His interview with George Galloway at the last general election would be worth seeing again. And his demolition of Michael "Threaten to overrule" Howard is a great TV moment.

But the greatest? I don't think so. There's too much of a "showman" element there, almost like he's destroying peoples' arguments for fun. There seems to be no real bite to him.

No, to illustrate my first choice, we have to look at a moment where an interviewer was so astonished by the bare-faced cheek of his subject that it threatened to boil over. For real.

Emil Savundra is now pretty much forgotten by the world. But in the 1960s he was very well-known as a swindler. He formed an insurance company, raked in the money from the public because the premiums were so low. By the time the claims started coming in he had quit the company, with a rather large sum of money in his back pocket. This rather large sum was of course the money that was expected to pay the claimants. He claimed that he had no moral or legal obligation to the people who had lost out as he was no longer involved with the company.

Fast forward to an episode of The Frost Programme. The Frost Programme was an odd concoction – one third variety, one third silly jokes, and one third incisive interview with topical figures. David Frost makes a comment about Savundra in an episode. Savundra promptly phones the production office to complain. While he's on the phone David Frost tells the person taking the call to ask him to appear the next week. Rather amazingly, Savundra agrees.

And so the scene is set for one of the greatest moments in television I have ever seen.

Frost is masterful here. He lays out the facts for the viewers and audience. He shares a mild joke or two with Savundra, putting him at ease. For more or less the first seven minutes, absolutely nothing happens, except Frost delivering what we need to know in a controlled monotone, interspersed with shots of Savundra looking smug. And then, by degrees, Frost starts to heat things up.

I'm of the opinion that Savundra had no idea what he was letting himself in for. He is obviously of the opinion that he can win this argument easily, and it's his arrogance that destroys him. By labelling the audience "peasants" (“I came here to match swords with the best swordsman in England”) he gives Frost the motive to go to town on him. That’s pretty much the first moment that Frost shows his teeth – “I’m afraid these people are not peasants, they’re the ones who gave you your money”, he mutters, without looking up from his notes. He gets a round of applause for that one.

Savundra begins to realise that this is not going to go his way. He makes a few feeble jokes, labelling the Sunday Times as “The Sunday Swines”, in reference to the fact that they had been harbouring dark suspicions about him before Frost ever got at him. Frost swats that aside like it was a fly, at all times his eyes flicking between Savundra and the audience. Reading Savundra, reading the audience, gauging the moment to pull his masterstroke. There’s some banter about Savundra’s suspected and oh-so-very-convenient heart attack which got him out of a court appearance not long before that, and a very pointed comment about legal action. Frost parries with a rather marvellous “that’s the thing that worries me about you. It’s all fun to you, isn’t it?” So rarely do you see someone being so personal in a one-to-one interview.

You can see the rage building in Frost. And you can see how wonderful an interviewer he can be. He channels that rage, and uses it to his advantage. When the moment comes, he takes Savundra from the interview area and leads him over to a harshly lit spot right in front of the audience. Which just happens to be full of people whose money he’s trousered. Savundra perches on a stool, desperately uncomfortable, with a look in his face that says “how the hell do I get out of this?”

And here’s the thing – Frost lets the people do the work for him. They tell their stories (one woman in particular is heartbreaking, her voice trembling on the verge of losing composure as she recounts the tale of losing her husband, nearly dying herself and getting a bounced check when what she needed was the support to pick herself up and carry on). Frost listens. Savundra continues to deny all responsibility, legally or morally, and gets into a swamp of argument regarding the fact that it’s all the fault of someone he hired to run the company.

Bang. That’s the moment Frost’s been waiting for – he brings up ultimate responsibility. “How can you not been aware of the actions of an employee of your company? You have either got to be stupid, or dishonest. Which is it?” Savundra tries exactly the same tactic that Michael Howard would twenty years later, but Frost’s having none of it. He’s right into his victim’s face, repeating “Which? Which? Which?” There’s a look of cold fury about Frost. Hatred, even. At one point he lets Savundra off the leash for about a minute and just stands there, staring as if he’s looking at something he’s scraped off his shoe. I swear if given the chance, he’d flatten him. He’s that close to losing control. Somewhere around here, there’s a cut to the audience, including a delighted looking Eric Idle – as part of the writing team, he was around anyway. He’s watching one of the monitors with a look on his face that says he knows what he’s watching is one-in-a-million.

Savundra loses control, his voice raising higher and higher as he ticks off a list of points which he thinks absolve him of all guilt. And in a masterful moment, we see that Frost isn’t actually giving him his full attention. Or at least he is, but he’s not letting Savundra see that. What he’s actually doing is watching his floor manager, who’s telling him how long there is to the end of the show. He gives an almost imperceptible acknowledgment, then it’s in for the kill.

Somehow, Frost manoeuvres the conversation round again. He leads Savundra up to a point where he claims absolutely no moral responsibility to anyone, then turns to the camera.

“Well, ladies and gentlemen – it’s not really the way to end the series, but it’s the end of the series. Thank you and goodnight.”

He then stalks off camera right, leaving Savundra high and dry, gaping in mid sentence. There’s a single, very British cry of “Well done, Frostie!” from the audience, taken up by several others, and a swell of applause over the end credits. Applause? They should have carried him through the streets.

Twenty three minutes is all it takes to get a total bastard from a point of utter complacency to admitting pretty much everything. Savundra remains unrepentant, but he’s been damned by his own words. It took Frost considerably longer to get Tricky Dicky to the same point, and after that, he became a sort of cuddly establishment teddy bear. Remember him this way.

The whole thing’s now up on YouTube. See for yourself, unless Paradine Productions have forced us to take it down.

Part One


Part Two


Part Three

Monday, 30 June 2008

It is of my opinion that the people are intending...

I can see that trying to get a word in edgeways will be my main priority where this blog is concerned.

It seems only polite to say hello, since I'm the other half of this blog. So, hello. I'm Dave. Or David. Never Davy. I wouldn't thank you for calling me Davy. I'll probably be known as the "other one" and that's fine by me. He's the talented one in this duo.

We tend to share a large number of interests, so for most of the time what he says goes for me. I'm sure there are areas where we diverge (mainly because he hasn't got round to watching/reading/listening to it yet) but sharing the same voice for much of the time.

I'm also known as the one with the family, since unlike Walt I'm now married with a daughter. Both Walt and myself frequently pause and wonder how on earth I managed that. So expect several posts here on how brilliant some of the modern kids TV programmes are, mainly because that's all I get to watch most of the time.

A word of note....Walt and myself were at one point two-thirds of the entity known as Catholic Taste, hence the name of this blog. This was a text-based fanzine, which was mainly but not exclusively centred on Doctor Who. In fact, it may have been the first Doctor Who fanzine not to concern itself at all with Doctor Who. In writing it we made the unusual step of pretending we were a band and that the issues we released were albums. It seemed funny at the time. This will explain why later we talk about being a bassist or playing drums when neither of us can play either. It will also explain why we will talk of some articles being from our "second album".

We have a vague idea to "re-release" some of the old Catholic Taste stuff, possibly updated since it's over ten years since we wrote it. We'll see.

In the meantime, pull up a chair and have a read of Walt's stuff. He's posting more because he has access to the blog at work whereas my employers are cleverer than his.

So, what is the perfect introduction to the great English novel?

I work in an academic library in Edinburgh, which means that I'm occasionally asked some very odd questions. The oddest definitely being "do you have a copy of the Necronomicon?" If only I'd thought to ask if he wanted it in real human skin or imitation.

The other day, a terribly nice German student came up to the desk and bashfully confessed his ignorance of what he called "the great English novel". Could I recommend something for him that might spark his interest? He said he was actually "embarrassed for not having read any of the greats". Now aside from the fact that my automatic response to received wisdom is not to believe a word of it, this was one I didn't even have to think about.

For me, there was only one choice. It's not an "improving" novel. It's not got a great deal to say by way of searing social comment. It's not epistolary, as so many of the "canon" English novels are (although there is the odd letter here and there). Neither is it a bildungsroman, something which sometimes seemed mandatory for any novel to make the critical grade. It's alright, come back. I'm going to stop being pretentious now. What I mean to say is, my choice - and I didn't even have to think about it - is simply a thundering good read, written in an immediately accessible style.

It's breathtakingly well-paced for such a long novel, which may be the result of its initial publication in serial form as we rattle up to regular cliffhanging points in the narrative. Thanks to the fact that the narrative is repeatedly passed to a different narrator, we're never sure exactly how much to trust.

It is (in point of fact) a blockbusting roller-coaster of a read. And it's one which I had no hesitation in recommending to my German friend as a perfect way to start exploring the murky waters of "the great English novel".


For those who've never read it, I wholeheartedly reccomend "The Woman in White" by Wilkie Collins to you. I envy you - you're in for a treat. For those who have read it - well, you'll know exactly what I mean. It may not be my favourite novel ever, but its damn close.

It's public domain these days, it seems - at least, Gutenberg has it in their list. Get it here, and see if I'm not right.

http://www.gutenberg.org/etext/583

The student came back three days later to return it. "It was magnificent", he said.

He was right.

The genius of Jim Henson #1

For your delectation and delight - a couple of moments of pure gold from season 1 of The Muppet Show.

First up - Rowlf, Catgut, Muppy and Baskerville barbershop their way through "May You Always", in tribute to Lassie. There's not a joke in here - it's a totally straight performance (or as straight as possible, under the circumstances). It's wonderful, though. That's Jerry Nelson as Baskerville taking the lead. A million miles away from Floyd Pepper (his major character, I'd say). Isn't he good? Good as he is though, it takes on a whole new dimension when Rowlf starts vamping those keys at the halfway mark.






Next up - "Hugga Wugga". This traumatised me as a nipper. Now, I think it's one of the finest three minutes of comedy anyone's ever did. Just look at the comic timing on display here. I'm guessing this is Frank Oz and Jerry Nelson, with Jim pitching in at the end. I might be wrong, though....

And when you see the end in sight, the beginning may arrive

Hello, and welcome to the occasionally lucid ramblings of two middle-aged men. We've been talking about doing a blog for years, and now seems as good a time as any. Feel free to pull up an imaginary chair and settle in. Think of us as one of those exclusive Victorian clubs where everyone sits around after a visit to Ye Olde Moustache Shoppe with a balloon of brandy in one hand and an ill-informed opinion ever ready to be espoused.

The overall intent of this blog - at least where I'm concerned - is to be wildly enthusiastic, at times, informative, occasionally very grumpy indeed, but on the whole I'm aiming for a mood of cheery bonhomie with free stuff thrown in every now and then. Be warned - the words "Doctor" and "Who" will almost certainly cross the threshold on many occasions. M'learned colleague and I met as part of Scottish Doctor Who fandom many years ago, and well - why ignore something you love?

Permit me to introduce myself - as one half of the editorial team, I think it's rude to start a blog without saying "Hello".

"Hello". Oh, I kill me.

Anyroad - I'm Walt. I'm the nice one. He's Dave. He's also the nice one. I'm obsessive over the things I love, which translates as an urge to bore everyone senseless with obscurities, minutiae and general stuff you may not realise you wanted to know. You've been warned. Postings from me will probably career all over the place involving some of the following: Jim Henson, Squeeze, old British Telly, old American Telly, comedy (Radio and Telly, Old and New), OTR, vintage film, and will frequently feature a flagrant abuse of the comma. As this sentence has just proven. If you're parading about the internet in forums and other places and someone called "difbrook" pops up, it's probably me.

As and when I get the chance, I'll upload things, review old treasures and rhapsodise over new discoveries. I'll try to post links in time-honoured fashion. The aim is simple - if I love something, I hope someone else will too. That's pretty much all I have in mind for this place, apart from an occasional splenetic rant. Better out than in, and all that.

Hey-ho. I really should shut up for now, but I do hope you all enjoy this place, when it gets going. I'm looking forward to it. A little home from home, as it were. Hope you like us. We like you.